‹ Back

[FOLLOW UP] Levi Clay Live Tutorial on Guitar Pro

[FOLLOW UP] Levi Clay Live Tutorial on Guitar Pro

Hello and welcome to the first edition of my Guitar Pro Tips and Tricks Tutorial, the fact that you’ve clicked this page tells me you want to take your Guitar Pro skills to the next level, and I humbly suggest you’ve come to the right place!

Allow me to introduce myself, my name is Levi Clay, and for the last 6 or so years I’ve made my living as a transcriber (running my own business); meaning I listen to music, and write it out for publication. Outside of work for private clients, I’ve been the in house transcriber for LickLibrary.com and Guitar Interactive Magazine, and have also completed plenty of work for Premier Guitar Magazine, Guitar Techniques Magazine, Axe Magazine, JamTrackCentral, TexasBluesAlley, LearningGuitarNow, and many more.

During my formative years, I offered delivery of work in many formats, but as time went by I’ve moved exclusively to Guitar Pro 6 for work as the speed in which I’m able to work there isn’t even close to possible in something like Sibelius. When you’re transcribing for at least 6 hours a day, you need to get as much written out as possible, and Guitar Pro offers that!

Below is a 90 minute live stream, recorded live September 8th 2016 on the Guitar Pro Facebook page.
 

 

This first tutorial focuses on the setup of files, along with mastery of hotkeys to speed up input and reduce the risk of any work related injuries.
When I began working professionally, I was using a laptop with a trackerpad which meant a lot of going between guitar, trakcerpad, and QWERTY keyboard. After a couple of years, I began to notice stiffness in my right wrist which now causes constant discomfort, especially when it’s cold! I want you to avoid these problems, so I’m going to recommend working on a system with a number pad on the keyboard, and if you don’t have one (maybe you’re working on a laptop) I’d consider picking up a USB number pad.
Outside of this, the main skill that’s virtually essential to develop is the use of hotkeys/shortcuts, which will minimize the use of the mouse, and therefore cause less strain on the wrist.

 

1. First though, let’s look at opening up Guitar Pro, and setting up a file.

The first step when opening the program is to create a file and put in the instrument(s) you’ll be working with. This can be done with the following path – File > New > Empty

Guitar Pro Ex1

You’ll now have a blank score, along with a Score Information window. This can be filled out, or skipped at this stage as it’s easy enough to come back to later at the press of a button!

Guitar Pro Score info

From here, there are several ways to add tracks to your score, either by clicking Track > Add (in the main navigation bar), the hot key Ctrl+Shift+Insert, or by clicking the plus sign located in the bottom left of the score (as indicated below). This will bring up the Select Your Instrument window, where you’re able to select the instrument you want to begin working with, from guitars to singers. You’re also able to name this track, give it a short name, decide if you want standard notation, tab, or slashes to display, and even change the color of the track in the mixer.

Guitar Pro Ex3

I’ve created a track with overdriven guitar (definitely the best choice for rock guitar!), but I don’t like the way this leaves you with an indentation to the left of the score, so this leads you to the Stylesheet to fix it. This can be be accessed by File > Stylesheet, or the hotkey F7.

Guitar Pro Ex1

 

2. The Stylesheet Menu

The Stylesheet menu is an incredibly important part of creating a unique look to your scores. Take some time to look through all of these menus and get to grips with what these options offer. I automatically go to Systems & Staves and untick the First System Indentation box to remove that indent from before. There are numerous options to be found here and played with, so experiment with global score proportions, the notation tab options, and even changing the fonts and sizes of text and numbers in the Texts & Styles section.

I do have my own house style I use, this has been saved using the Save Style button at the bottom, so I’m able to just load it up when I start a new score.

ex5

Now you’re ready to start inputting notes, it’s time to take a look at notes tab on the left of the screen.

 

3. Inputting notes

Inputting notes is simple, just click on any string in the tab on your score, and press the number you want, such as 5 on the A string. From here the mouse isn’t needed for me, I’m able to press the right arrow key to move to the next note and press 8, then move right, and up to the D string and input the number 7 and so on.

Having access to these arrows in my right and thumb, and the numbers with the right hand fingers means you’re able to input any note without putting the wrist under any stress.

In order to change the rhythm of notes, this needs to be done as you go, as once a bar is complete, the program will automatically move onto the next. In the second section of the notes tab on the left, you’ll see a selection of note values, and it’s possible to input a note on the tab, then click on the rhythmic value you need it to be, but I would urge you to become familiar with the + and – hotkeys which will increase of decrease the note length on the fly. I have access to both of those keys using my 3rd finger on the number pad. So it’s not possible to input anything I need to without clicking the mouse.

It’s also possible to click and drag to highlight many notes (or use shift and the arrow keys) and change multiple notes at once. If I were to highlight my first bar and press the + key, then all the notes would switch from quarter notes to eighth notes.

ex6

 

4. Tab the following lick

Below is a simple lick I’ve written out, I would suggest trying to input the same into your software to test out the things we’ve talked about so far. As a reference, this took me 17 seconds to write out (yes… I timed myself!), I wouldn’t expect you to be that fast, but when compared to the 54 seconds it took me to write the same thing out using the mouse to click note values, there’s room for improvement. I guess this makes me the shredder of the transcribing world?

guitar pro score

I’ve also included the gpx file I did this in so you can take a look at it and edit it as you see fit – check out the stylesheet by hitting F7!

Guitar Pro file“Guitar Pro 6 Rocks.gpx”
(click on the file icon to download the Guitar Pro tablature)

Now while the stream does continue on from this point, doing some live Q&A with people, the take home concept is this note value input, but if you’re wanting to dig further, try looking through the symbols on the left hand side of the page, hover over them and you’ll be told what the button represents, and (most importantly) the hot key for that function.

As an example, if I look at the trill button I know I only need to press “n” on a note to add this effect. A bend can be applied with “b”, a slide can be applied with “s”, a palm muted note just requires “p” etc.

If you have any questions, drop them in the comments box below, and I’ll do my best to answer them for you!

Until next time!

– Levi

Follow Levi on Facebook

16 comments
  1. Levi Clay - September 12, 2016 at 5:51 pm

    If anyone has any questions – I’ll do my best to answer you here! 🙂

  2. Del Ventruella - September 23, 2016 at 10:07 pm

    Hi,

    How to I shift notes to the right or the left? I have a strum direction symbol that is now located over a bar line, and I need to eliminate confusion.

  3. Del Ventruella - September 28, 2016 at 5:53 pm

    How do I shift notes to the right within a measure? An arpeggio symbol is overlapping a bar line ? Thanks.

  4. Del Ventruella - September 28, 2016 at 5:54 pm

    I have an arpeggio symbol overlapping a bar line indicator in the notes section. How do I move the notes to the right to avoid this overlap?

  5. Sandra Marion Reiffenberg - October 21, 2016 at 6:26 pm

    Grand Orchestra Sounds ( Violin, Viola, ect.) are Horrible – i have never could made them working propper. The sound is soooooo bad like a child of years are playing.

    I´m thinking I will change the Software – Steinberg Dorico or Avid Sibelius.

  6. linda - October 24, 2016 at 1:28 pm

    Hello Sandra, We will try to improve them.

  7. Ken Whisler - November 23, 2016 at 1:02 am

    I write a lot in free time and play Gregorian chants. how do I eliminate bar lines and time signatures?

  8. Alex Antunes - November 26, 2016 at 10:51 pm

    Hi,
    I’m having a hard time with the position of the ties in upper ledger lines.

    I’m finishing a 45-minute composition for Solo double bass (bow), voice and guitar. The double bass often times plays in the upper ledger lines and my composition uses a lot of ties.

    I recently switched from Notion 6 and Finale 25 to Guitar Pro 6 in order to make the score look more professional along with the tablatures.

    In Guitar Pro 6, the note stems in the upper ledger lines are properly positioned downwards. However, when these notes are tied, the ties are positioned like a letter “u”, and they should be inverted, like an intersection math symbol or a letter “n”, that is, the position of ledger-note ties in a single-note-per-staff situation should be in the direction opposed to the stems.

    I cannot find a way to invert the position of the ties to make my score look professional.
    I have only a couple of days to turn in this composition and I am very time pressed,
    I’d appreciate your help in this matter.
    Sincerely,
    Alex.

  9. Ken Whisler - November 27, 2016 at 9:43 pm

    How do I eliminate time signature and bar lines to compose in free time?

  10. Alex Antunes - November 28, 2016 at 6:42 am

    Hello friends at Guitar Pro,

    Haven’t heard back from you yet and looking forward to it.

    Just complementing on the previous issue, I would like to suggest (actually, ask for) a couple of improvements which I’m certain, will strongly boost Guitar Pro’s reputation in the area of notation software:

    When in “Design Mode” the user can change the position of the barlines and the number of bars per system.

    However, it’d be great if, when in “Design mode”, the user could change the position of the ties, custom-shape the position of each note within the bar, could change the placement of the ornaments (closer-farther than the noteheads), as well as all symbols and elements of the notation. Whenever you can implement this change, I bet a lot of Finale, Sibelius and Notion users will prefer to use GuitarPro, not just for practice purposes, but also for NOTATION.

    Handwriting on iPad app would be nice, too, as Notion is investing heavily in it and drawing a lot of users from Finale and Sibelius. Nevertheless, NONE of them have the variety of articulations, bends, approaches GuitarPro has.

    Still looking forward to fixing the ties, as I’d rather not go back to the other software for publishing just because the tie position is wrong, albeit I’ll have to, if I cannot fix it in GuitarPro, as I need professional level notation in terms of ties.

    Cheers.

  11. linda - November 29, 2016 at 2:05 pm

    Thank you Alex for your useful feedback. We will do our best to make you happy.

  12. linda - November 29, 2016 at 2:08 pm

    Hello Ken, it is not possible to eliminate time signature and bar lines. Sorry.

  13. Ken Whisler - November 30, 2016 at 2:32 am

    Writing in free time is very important to me. I’m willing to bet that it is an easy update to make it to where I can write with no time signature and bar lines. Very disappointed.

  14. linda - December 26, 2016 at 12:49 pm

    Hello Alex,

    Please contact our support for help with your composition:
    https://support.guitar-pro.com/hc/en-us/requests/new

  15. Thom Ciskoe Pike - March 29, 2017 at 2:30 am

    I use GP6 to transcribe fiddle tunes from fiddle notation to mandolin notation/tab and guitar notation tab. Using the track Properties, I’ve set up multi-tracks for mando and guitar that let me cut and paste the notation from one to the other and get a usable tab for each instruments.

    It took some tweaking but if i set the Mando track to [Same octave] and the guitar trak to to [One octave lower] the notation and tab for each match up: Open hi E on the mando equals open hi E for the Guitar, and Mando open D (3rd string) = Guitar open D (4th string).

    The problem is that the guitar track plays a full octave lower than written, when in real life, they should be the same. How can I raise the pitch of the guitar track, and still have the notation match the mandolin track?

    Thanks
    Thom Ciskoe Pike
    Albuquerque New Mexico, USA

  16. Frank J. Stocum - April 21, 2017 at 6:25 pm

    I am looking for a way to play my guitar and capture it in GP I have been looking around for Analog guitar to Digital MIDI output and Having no luck, I am new to MIDI so I tried to see what I could buy, I bought a Focusrite Scarlett 2i2 (2nd Gen) USB Audio Interface, it comes with a ton of software but nothing is working to export it to MIDI, I asked a few different places and they said that this will do it but for the life of me can’t do it. I could use some help. I am tired of writing every thing in the editor in GP and would like to just play them and have them be imported as MIDI. I have looked into other MIDI solutions but Those cost a ton of money. Is there a way to get the USB input into MIDI format? And if so how, any and all help would be useful.

    Frank

Leave a Reply

Your email address will not be published.