There are several ways to approach a piece, a melody, a riff, or a chord progression: first by ear, the oldest method, or through written notation. In this tutorial, we’ll focus on the latter, highlighting the two most common forms used in Guitar Pro: Tablature notation and Standard notation.

Note: The goal here isn’t to oppose these two writing systems, but to show you how to take advantage of the strengths of each.

What are the benefits of standard notation for your learning? 

Standard-notation


Standard notation is often overlooked by guitarists and bassists, but there are still a few things worth knowing that could be very useful when using Guitar Pro. This form of notation is a universal musical language, present in most cultures around the world.

Even if you mainly use tablature, standard notation, more commonly known as sheet music or “solfège”, helps you learn the names of notes, which is essential for truly understanding your instrument.

You can even display the guitar or bass fretboard in Guitar Pro, allowing you to see the note names in real time as your score plays back.

View > Show Fretboard View

Guitar-Pro-Show-fretboard-view
Guitar-Pro-fretboard

Several options are available, such as left-handed mode or highlighting the notes of the current key. An essential tool for deepening your knowledge of the fretboard.

Here’s how the guitar fretboard is displayed in Guitar Pro:

Guitar Pro tip: You can choose your notation type in the Track Inspector ⬇️

Guitar-Pro-musical-notation

The second key advantage of standard notation is rhythm indication. Displaying the staff above the tablature gives you both the fret positions and rhythmic information for your piece or exercise.

Guitar-Pro-Standard-notation-Tablature-notation

As an example, here’s a Steve Lukather solo from Rosanna by Toto. You can download the Guitar Pro file to practice. It’s written here in standard notation, but you can easily switch to tablature in Guitar Pro to see the difference. Your turn to play!

Don’t wait, have fun by downloading the Guitar Pro demo!

Tablature: The Guitarist’s GPS

Tablature-notation

Long dismissed by “purists,” tablature is, in my opinion, a highly intuitive and visual tool that makes music more accessible to players who haven’t studied at a conservatory from a young age.

Its main advantage is that it immediately shows which fret each note is played on, allowing you to learn songs faster. Until recently, its biggest limitation was the lack of rhythmic information, numbers on strings don’t tell you much about timing!

As mentioned earlier, you can display Standard notation above the tab to see rhythm along with fret numbers. But thanks to Guitar Pro, you can now show rhythmic values directly on the tablature by simply disabling Standard notation in the Track Inspector.

Guitar-Pro-Tablature-notation

Here’s the Rosanna solo again, this time in tablature. Which version do you prefer?

Play Rosanna in mySongBook 🎸

Other Notation Systems in Guitar Pro

Slash notation

A simplified writing form, typically used with chord symbols. It’s mainly designed for rhythm playing and often provides a clearer view than staff or tab notation.

Guitar-Pro-Slash-notation

Numbered notation

Originating from China, numbered notation displays the intervals of a given key. For chords, the lowest note is taken as reference. This system is particularly efficient for transposing music.

Guitar-Pro-Numbered-notation

Wave the white flag

Each notation system has its own specific use. Classical musicians will prefer standard notation, while rock guitarists often choose tablature. These forms are complementary, each has its strengths and weaknesses, and it’s up to you to decide which best fits your goals.

My advice: use both! Display standard notation and tablature in Guitar Pro for an optimal learning experience.

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For those who haven’t discovered him yet, Eric Assarsson is a Swedish guitarist specializing in jazz. After three intensive years of study at Fridhems Folkhögskola, a renowned music school in Sweden, he turned to teaching in order to share his knowledge with other musicians. By sharing his expertise on Instagram and YouTube, he quickly built a large community of guitarists, which now counts several thousand followers. A true reference in his field, Eric now teaches guitarists all over the world.

Among the many topics covered in his lessons, Eric has put together a course specifically focused on neo soul guitar playing, a musical movement that gained popularity in the 1990s with artists like Erykah Badu or the late D’Angelo, whose iconic album Brown Sugar was released in 1995.

Use this promo code to enjoy 60$ off the The Complete Neo Soul Guitar Course: NEOSOUL25

Here are 5 free excerpts offered by Eric. Don’t forget to download the Guitar Pro files, and if you haven’t already, you can also get the free demo version.

Lavender

This is the first song and example from the Neo Soul Guitar Course. A great introduction that shows how fun and inspiring neo soul guitar can be. 

Diminished Chords

These chords are super useful, and you’ll thank yourself later for learning them! 

Unique Chords

In this lesson, you’ll learn Eric’s amazing chord voicings that you can apply to your own music, especially in a neo soul context.

Combine All Techniques

This is the final lesson where we combine all the techniques to really achieve that true neo soul guitar sound. Don’t miss it! 

Honeylily 

This neo soul song comes later in the course and applies many of the concepts we’ve learned so far. It’s such a vibe, you’ll love playing it

Eric and I hope you enjoyed these excerpts and that they inspired you to go further. Feel free to share your feedback in the comments!

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Hello everyone, this is Martin from Guitar Pro.

I had the great pleasure of joining Thomas for the first time at the Guitar Summit in Mannheim, Germany.

It was three action-packed days where we got to meet an incredible lineup of talented and inspiring artists.

The Guitar Summit is all about:

  • 3 days dedicated to guitar
  • Over 500 exhibitors from all around the world
  • More than 100 workshops across 7 stages
  • Masterclasses by world-renowned musicians
  • Around 10 concerts across Friday and Saturday nights

Let’s just say, we had our minds blown all weekend long with everything going on at this massive guitar event right in Germany.

We were also lucky to bump into some of the most passionate Guitar Pro users out there, among them, some of the biggest names in the guitar world and on YouTube: Mike Dawes, Jack Gardiner, Andy Ferris, Danilo Vicari, Justin Sandercoe, Sascha Rebbe, Bernth, Jens Larsen, Kfir Ochaion, Swan Vaude and Timo Brauwers.

Want to take it further, just like they did? Download the free demo!

As for the workshops, we had the honor of seeing performances by world-class musicians such as:

  • Tosin Abasi (Animals As Leaders)
  • Andy Wood
  • Billy Sheehan (Mr.Big, The Winery Dogs)
  • Nate Navarro
  • Dweezil Zappa
  • Julius Imhäuser (Funky Times)
  • Frank Bello (Anthrax)
  • Yolanda Charles (Robbie Williams, Hans Zimmer)

One of the coolest things about Guitar Summit is its silent format. Gear testing is done using headphones, and even some workshops outside of closed rooms could only be followed via personal headsets.
It’s a clever setup that makes the whole experience more enjoyable and your ears will thank you after three days!

Here’s a visual recap of the discoveries and new gear from some of our favorite brands:

Beetronics

It was a real pleasure to reconnect with the buzzing crew at Beetronics, the kings of honey-sweet fuzz, this time to showcase their latest creation: the BEE BEE DEE, their first analog delay.
Three modes: Classic, Lo-fi, and Pitch, with built-in tone modulation!
Yet another example of how the California-based brand continues to innovate and delight demanding guitarists.

BEE BEE DEE, the new analog delay from Beetronics 🐝

Bee-Bee-Dee-Beetronics



Furch Guitars

The Czech guitar builders at Furch made waves with their latest model: the Spectra Plus. A bold move into colorful finishes, offering 8 colors and a choice of two tone woods. Known for their high-end acoustic instruments, like the travel-friendly Little Jane, Furch isn’t afraid to break new ground, and they’ve done it again.

Furch-guitars-Spectra-Plus

Walrus Audio

We also caught up with the team at Walrus Audio, and as usual, they came fully loaded with gear. Their pedalboard lineup was on full display, and yes, we tried everything (Thomas definitely had fun). A special mention goes to their Canvas series, especially their best-selling Tuner, which continues to set the standard.

Walrus-audio-Guitar-Summit-2025

Invaders Amplification

Belgian brand Invaders Amplification showed just how much skill and craftsmanship goes into their hand-built tube amps. Heads, combos, cabs, from cleans to high-gain tones, they’ve got it all. And yes, they also offer custom builds to meet any player’s dream specs. No wonder artists like Loida Liuzzi and Brandon Davis (Fever 333) are proud to represent the brand.

530 BlueVerb Combo Reverb
Nelson-Martins-Invaders-amplification
Photo credit: Guitare Xtrem

TAMPCO Pedals and Amplifiers

It was great to reconnect with Tampco, the French brand known for its high-quality, hand-built pedals. Among their latest releases, the Singer Overdrive, developed with AMS, is designed to bring out the full character of your amp. We were also impressed by the DistorterNelson Martins signature pedal, offering three independent channels and real versatility for both guitar and bass. Tampco continues to stand out with its creative designs and attention to detail.

Tampco-Guitar-Summit-2025
Photo credit: La Chaîne Guitare

All in all, Thomas and I came away from the show with our ears full of music, our heads full of ideas, and our hearts full of gratitude. It was a real joy meeting so many of you in person and hearing how Guitar Pro fits into your creative journey. The Guitar Summit is easily one of the top guitar events in Europe, and we’re already looking forward to coming back in 2026!

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Here are 10 features that might just surprise you, enhance your experience, and save you a lot of time. Give Guitar Pro 8 a try and explore all its features with the free demo.

Edit faster with the Command Palette

You can find the Command Palette under Tools > Show Command Palette, or by using the shortcut Cmd+E / Ctrl+E.

The Command Palette allows you to quickly access a number of essential Guitar Pro features.

There are two types of commands: quick commands and advanced commands.

Quick commands require no additional information. For example, if you want a note to be played in palm mute, simply type palm mute into the search bar and double-click the blue result: once to select it, and once again to apply it.

Advanced commands require extra information before they can be used.

Take alternate picking as an example (for right-handed players). The Command Palette lets you enter your picking patterns directly into the score, much faster than through the Editing Palette. Just type pickstroke, then use for downstrokes and u for upstrokes, making sure to insert a space between each chord or note.

A few tips:

  • Type a question mark (?) to see the full list of available prefixes and commands.
    Note: Some actions require you to make a selection first. For example, for a Hammer On / Pull Off, you need to select both notes beforehand, just like in the Editing Palette.

  • Type @ to bring up a panel of available actions from the top menu bar (File, Edit, Track, Note, Help…). Some of these commands can also be found in the Editing Palette.

You’ll find the full list of available commands in the Guitar Pro 8 User Guide !

Customize your score with the Stylesheet

You can access the Style Sheet via File > Stylesheet, in the Inspector, or using the F7 shortcut.

The Stylesheet allows you to configure the entire visual aspect of your score. It is divided into five clear sections:

  • Page & Score format: Manage layout, dimensions, and the display of tuning and chords.

  • Systems & Staves: Adjust how the staves are arranged on your score.

  • Header & Footer: Set up titles, names, and copyright info, including font settings.

  • Text & Styles: Choose fonts and sizes for the texts in your score.

  • Notation : Customize musical symbols and choose how they are displayed.
Stylesheet Guitar Pro

Edit Chords

Chords logo Guitar Pro

You can edit chords in Guitar Pro either by clicking Chords at the top of the Editing Palette, or by using the shortcut A.

Once you’ve selected a chord, you can choose where it appears in your score.

Options include:

  • Display the chord name

  • Show the chord diagram at the top of the first page

  • Display the diagram on the staff

Try the Line-in feature

Line-in logo Guitar Pro


Guitar Pro 8 allows you to plug your guitar into your computer via an audio interface and hear yourself play in real time through the software, using the effect presets and sound banks assigned to your track.


Plug your guitar into your interface, then activate the Audio input in the top-right corner of the window. Audio input settings can be found under Preferences > Audio/MIDI.

Add automations

You can access the automation editor by clicking the current tempo icon at the top of the screen, at the bottom of the Editing Palette, or via Edit > Automations > Edit Automations.

There are 3 types of automations available: 

  • Tempo

  • Volume

  • Pan

Automation allows you to program tempo changes, volume adjustments, or stereo panning during playback.

For each option, you can choose between Constant until next point or Progressive to next point, more natural effect.

Practice with the Speed Trainer

The perfect tool to practice your parts with a gradually increasing speed. Click the two small arrows next to the Relative speed icon and choose Custom values.

In the Speed Settings tab, select Progressive Speed. From there, you can define:

  • Starting and ending speeds

  • Number of steps

  • Number of repetitions per step

Move a Note Across the Fretboard (Shortcut)

To make writing more efficient, you can move a note to another string, useful for riffs or chords. There are two ways to do it:

  • Right-click the note > Shift Up / Shift Down

  • Use the shortcut Alt+Up / Down or Option+Up / Down 

Example: a C note (first fret on the B string) can be moved to the 5th fret of the G string, the 10th fret of the D string, the 15th fret of the A string, or the 20th fret of the low E string.

Check the Bar Duration

You’ll find this tool under Tools > Check Bar Duration or using the F4 shortcut.

Often overlooked, this feature is extremely helpful, especially in large scores or pieces written for multiple instruments. It automatically flags incomplete bars.

It can be combined with the Complete/Reduce Bars with Rests tool.

Lock your files

There are three file saving options available in Guitar Pro. Go to File > Lock/Unlock.

You can choose to:

  • Save your file without protection

  • Lock editing and/or opening with a password
Lock File Guitar Pro

Export audio


You can export one or more audio tracks from Guitar Pro via File > Export > Audio.

Why is this useful?

  • Create a backing track to practice your instrument

  • Export each track separately

  • Choose to include a metronome or a count-in, or not

  • Select your preferred format and audio quality
Audio Export Guitar Pro

We hope this tutorial has been helpful!

Feel free to ask any questions in the comments section and share your tips or feedback about the features we covered.

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Guitar Pro 8 sales, 20% Guitar Pro, discount, code, free

Hi, I’m Thomas from Guitar Pro. I hope you had a great summer. September is a great time to get back to playing your guitar, that’s why I’m happy to help you get started.

I had the chance to meet Justin at the last NAMM Show in 2025 in L.A. Justin has been using Guitar Pro every day for years. And this is what Justin said about Guitar Pro:

“I love lots of things about Guitar Pro, as a teaching tool, it’s fantastic that students can hear more than just their part, and being able to slow it all down to play along and learn it is super cool. It’s also interesting for composition when I’m designing multiple parts I can hear them as I go and experiment in ways that would take longer to play and re-record over and over.”

How can Guitar Pro help you get better?

Learning guitar is far from easy. You need to concentrate of your both hands, the notes, the rythm, the tempo, the melody, the nuances, the tab and more. You definitly need a tool to help you doing all that at your pace.

Guitar Pro is the intuitive and easy-to-use tool box you need to edit, play and share your tabs.

Like the talented guitarist Sascha Rebbe, improve your speed with the Guitar Pro speed trainer:

What’s Included in the Offer?

When you grab Guitar Pro 8 at 20% off, you’ll also receive 2 exclusive bonus packs, completely free:

The Justin Guitar Learning Pack: A $90+ Value!

1-year access to the Practical Music Theory course. (USD 49.99 value)
Lifetime access to the Strumming Foundations course (USD 39.99 value)

Who is Justin?

Justin was one of the first guitar teachers on YouTube. He is considered as one of the most popular and reliable guitar teacher on earth. His website offers tons of high-quality guitar lessons for all levels and styles.

Bonus: get a free pack of tabs

We’re also giving away an expanded pack of pro-quality tabs featuring songs and exercises, curated in collaboration with top creators like Eric Assarsson. This is the perfect resource to apply your new skills and learn from your favorite artists.

  • Save instantly on the industry’s leading guitar notation software.
  • Learn from the best with Justin Sandercoe’s proven methods trusted by millions worldwide.
  • No hidden costs: no credit card is required to access the free Justin Guitar courses.

Don’t wait, this is a limited-time offer!




Editing a slap bass tab in Guitar Pro 8? Absolutely! Let’s go through the process step by step so you can set up a precise and versatile tool to accompany you throughout your practice sessions.

In this complete guide, you’ll learn:

  • How to configure your project for an authentic slap tone
  • All the essential notation symbols for this technique
  • 5 example bass lines that perfectly illustrate slap playing (Red Hot Chili Peppers, Primus…)
  • Useful keyboard shortcuts to speed up your workflow

A quick reminder before we begin:

Slapping is a percussive bass technique, often referred to as “thumb thumping,” commonly played on the lower strings of the bass. Some players also use it on higher strings, but here we’ll focus on the core fundamentals. Slapping is almost always paired with popping — the plucking of higher strings with the index, middle, or even ring finger. In everyday conversation, “slap” usually refers to both techniques combined.

As for tone, the most important element is, unsurprisingly, your fingers. In an ideal world, you’d get your perfect slap tone without relying on any effects, but certain tools can help enhance your sound and make certain notes stand out. We’ll explore those options along the way.

Don’t forget to download the provided Guitar Pro files to practice the examples yourself.

Creating a New Slap Bass Project in Guitar Pro 8

Start by adding your bass track. Once you’ve created a new project (New File), you’ll be prompted to Add Track. Choose Bass then Electric.

In the Information / Notation / Upper Staff menu (since bass is usually written on a single staff), I recommend starting with a “classic” bass tone that still has the character of a basic slap sound.

Sound > All Sounds > Basses > Slap Bass > Funky > Create

I’ve chosen the “Funky” preset because it brings together all the core tonal elements for slap, and funk remains the genre where slap playing really shines. You’ll find other presets as well — some with more complex setups, effects, and even signature artist sounds. Once you’ve grasped the basics, feel free to experiment.

With the track created, look at the Inspector on the right-hand side. In Track, you have Sounds, so you can click Sound Details to access the Soundbank and Effect Chain.

For the Soundbank, the Modern 5 bass is selected by default, but you can swap it for a Precision or Jazz for a more traditional sound. On basses with multiple pickups, you can also adjust pickup position.

Inspector > Track > Sounds > Sound Details > Soundbank > Choose Instrument

Inspector > Track > Sounds > Sound Details > Bank Settings > Position > Choose Position

Under that, the Effect Chain gives you access to amps, EQs, and compressors. In the Funky preset, you’ll find a single amp, a lightly scooped-mid EQ, and a compressor to control dynamics — a simple yet effective recipe for beginners. You can always add more effects later.

Inspector > Track > Sounds > Sound Detail > Effect chain

Finally, scroll to Interpretation to set the Playing Style to Slap Bass and bring Palm Mute down to 0 for maximum clarity:

Track > Interpretation > Playing Style > Slap Bass

Track > Interpretation > Palm Mute > 0

Notating Slap Bass in Guitar Pro 8

Here’s how to correctly notate the main slap techniques:

Slap

Select your note, click Slap in the editing palette. An “S” will appear between the standard notation and the tablature, or above if you’re using only one of them.

Editing Palette > Slap (shortcut $)

Pop

Select the note, click Pop. A “P” appears in the same location.

Editing Palette > Pop (shortcut Ctrl+$)

Ghost Notes (Dead Notes)

These muted notes are used frequently in slap to add percussive texture. In Guitar Pro, select the muted note icon in the palette or press X.

Editing Palette > Dead Note (shortcut X) > Slap (shortcut $)

Hammer On/Pull Off

These add life and fluidity to your bass lines. Select at least two notes, click the Hammer-On/Pull-Off icon. Depending on whether you go up or down in pitch, “H” or “P” will appear.

Editing Palette > Hammer On / Pull Off (shortcut H)

Left-Hand Slap

An advanced technique where the fretting hand taps the strings against the neck to create a percussive effect. Often used with open strings. Notate it by placing ghost notes (X) on the strings and adding the Left-Hand Tapping symbol. Left-Hand slap was popularized mainly by bassists such as Mark King, Marcus Miller, and many others since.

Editing Palette > Left Hand Tapping (shortcut ( )

Final result

I’ve created a slap groove for you that brings together all the elements we covered earlier. Feel free to download the Guitar Pro file to practice and review the different notation symbols specific to this technique.

Slap Basslines Examples

Higher Ground – Red Hot Chili Peppers

A Flea classic, originally by Stevie Wonder. Fun and accessible, though keeping up with the tempo requires stamina and rhythmic consistency.

Play Higher Ground in mySongBook !

Last Nite – Larry Carlton

A jazz-fusion groove in C minor, with legendary bassist Abraham Laboriel. Great for practicing thumb movement across multiple strings.

Play Last Nite in mySongBook !

Fly Away – Lenny Kravitz

An iconic groove recorded by Lenny Kravitz himself. Recreate the sound with an envelope filter, reduced low end, and boosted mids/highs. Slides and ghost notes give the line its character.

Play Fly Away in mySongBook !

Freak On A Leash – Korn

Fieldy uses slap in a metal context, playing a 5-string tuned a whole step down (ADGCF). Precision is key when switching between open strings and ghost notes.

Play Freak On A Leash in mySongBook !

Tommy the Cat – Primus

A true slap challenge from Les Claypool. Includes flamenco-style right-hand strumming on beat one. Start slowly — this one is tricky to master.

Play Tommy the Cat in mySongBook !

Keyboard Shortcuts for Slap Notation in Guitar Pro 8

The keyboard shortcuts for slap notation in Guitar Pro 8 are the same for both macOS and Windows. A summary table is shown below:

TechniquesmacOS/Windows Shortcut
Slap$
PopCtrl + $
Ghost Note (Dead Note)X
Hammer On/Pull OffH
Left Hand Slap (Tapping)(

Your turn!

I’m excited to share these main aspects of writing slap bass parts in Guitar Pro 8. I hope this tutorial inspires you to explore the technique and its notation further. If you know of other great slap bass players we should cover in a future tutorial, let me know!

Ozzy Osbourne - Black Sabbath scores

Ozzy Osbourne, the legendary singer of the iconic band Black Sabbath, passed away on July 22, 2025. It’s hard to imagine the history of rock without his unmistakable presence. Nicknamed the “Prince of Darkness,” Ozzy reinvented the sound of heavy metal with Black Sabbath and went on to build an equally legendary solo career.

His unmistakable voice, magnetic stage presence, and lasting influence on guitarists have made him an essential figure for music lovers everywhere.

Here are 10 must-play Black Sabbath and Ozzy Osbourne tracks to honor his legacy.

Download the free Guitar Pro 8 demo to play these 10 scores. Pick up your guitar and dive in!

Guitar Pro Paranoid tab, free score

You’ll also find these legendary tabs and thousands more in mySongBook, the interactive score library available in Guitar Pro 8.

War Pigs (Paranoid – 1970)

In Black Sabbath’s War Pigs, the rhythm section blends palm muting with open picking. It’s essential to practice the “palm mute/open” motion with your picking hand. Pay close attention to the pull-offs. Each note should ring out with the same clarity and intensity. Start slow, then gradually increase the tempo using Guitar Pro’s speed trainer feature.

Guitarist: Tony Iommi

Subscribe to mySongBook to access the full score.

Iron Man (Paranoid – 1970)

In Black Sabbath’s Iron Man, it’s essential to pay close attention to the syncopated rhythms. This technique involves muting the sound by slightly releasing the pressure of your fretting fingers. Make sure your hammer-ons, pull-offs, and slides ring clearly. In Guitar Pro, don’t hesitate to isolate the tricky parts, slow them down, and loop them to improve precision and fluidity.

Guitarist: Tony Iommi

Paranoid (Paranoid – 1970)

In the verse of Paranoid, start by isolating and slowly practicing the grace note in the first bar. Then add the second bar, focusing on the precision of the hammer-on. Next, isolate bars 5 to 8: play bars 5, 6, and 7 with palm muting, then open up the sound on bar 8 without muting. Finally, bring the entire riff together slowly and gradually increase the tempo to build consistency and control using Guitar Pro’s tools.

Supernaut (Black Sabbath Vol. 4. -1972)

In Black Sabbath’s Supernaut, start by practicing bars 1 and 2 slowly, highlighting the slides, hammer-ons, and pull-offs. Then add bars 3 and 4. From bars 5 to 8, focus on alternating between palm muting and open playing, paying close attention to the slides. Finally, play the entire section slowly and gradually increase the tempo to improve accuracy and control.

Guitarist: Tony Iommi

Sweet Leaf (Master of Reality – 1971)

In Black Sabbath’s Sweet Leaf, the one-bar riff is built with slides and dead notes. This effect is achieved by lifting the fingers of your fretting hand while keeping them in contact with the strings to produce the characteristic sound. Pay special attention to the fourth beat of bar 8, where a dead note on the last sixteenth note restarts the riff cycle.

Guitarist: Tony Iommi

Children of the Grave (Master of Reality – 1971)

In this Black Sabbath track, from the Master of Reality album released in 1971, it is important to keep in mind the following three points:

  • The eighth notes are ternary: they are essential to the proper execution of the riff.
  • Pay close attention to the accuracy of the slides: miss it by a semitone and it’s ruined.
  • Finally, the handling of the palm-muted parts: the entire dynamics of the song depend on it. Be very careful to lift your hand at the right moment.

Tony Iommi has perfect control of his left hand (let’s recall that he is left-handed); combined with the ternary eighth notes, his use of palm muting creates that epic galloping feel which gives the song all its power.

Guitarist: Tony Iommi

Crazy Train (Blizzard of Ozz – 1980)

In Ozzy Osbourne’s Crazy Train, start by isolating the first two bars. As Randy Rhoads played it, this riff should be performed using only downstrokes. Once you have the riff locked in, emphasize the notes played on the A string by striking them harder with your picking hand. Practice slowly and gradually increase the tempo using Guitar Pro’s tools.

Guitarist: Randy Rhoads

Mr. Crowley (Blizzard of Ozz – 1980)

In Ozzy Osbourne’s Mr. Crowley, in bar 1, pay close attention to the quarter-note triplet; to play it well, try singing the phrase as you play. Isolate the last two beats of bar 3 and the first beat of bar 4 to highlight the hammer-on/pull-off sequence. Make sure the syncopated riff is tight and precise. Also, focus on bar 12, which features several techniques that need to be mastered. Ensure your bends are accurate. Practice slowly and gradually increase the tempo using Guitar Pro’s speed trainer.

Guitarist: Randy Rhoads

Bark at the Moon (Bark at the Moon – 1983)

In Ozzy Osbourne’s Bark at the Moon, break the riff down and play it slowly to properly internalize the chord changes and the alternation between palm muting and open playing. Emphasize the chords with your picking hand using downstrokes, making sure the D, G, and B strings ring out clearly. Also, isolate the last six sixteenth notes to position and execute the pull-off accurately.

Guitarist: Jake E. Lee

Mama, I’m Coming Home (No More Tears – 1991)

This acoustic rhythm is played with alternate picking. Work through it step by step, breaking the section down and adding the bars one at a time, starting with the first two. Play the E (9th fret) with your third finger, then the D♯ (8th fret) with your second finger, which then shifts to the G♯ with your first finger. In bars 2 and 3, place the full chord shapes even if not all the notes are played, to avoid wrong notes in case of string mistakes. Practice slowly, then gradually increase the speed.

Guitarist: Zakk Wylde

I hope you enjoyed this tribute to Ozzy. Tell us your favorite track in the comments below.