Hello everyone! Dan here from Your Guitar Academy with a super fun and challenging Stevie Ray lesson for you! If you’re an SRV fan then you already know he’s a ferocious Texas blues shredder, and if you don’t know about SRV yet, I’m excited to introduce you.
Want to learn to play like the best blues players of all time? We’ve teamed up with the awesome people at Your Guitar Academy to offer their Blues Legends Bundle for an epic 65% off!
Now before we get into this solo that we’re going to learn, let me just say that SRV is not a one trick pony! Yes, he can play a million notes per hour, and yes he does love to shred over the Texas Blues, but he has so much more going for him than that. I would highly recommend watching or listening to “Live at Montreux 1982 & 1985” which is his double live album. It shows off his diversity within the blues, and it’s simply incredible.
Today, however, we’re undertaking a solo that is very much in his Pride & Joy style of intense Texas blues scale work. To start with, take a look at the solo we’re looking to play:
Grab the tab
As you can see above, this whole course is available on our YouTube channel, and you can find all the write up and more over on our Guitar Clubwebsite. Of course, you guys are Guitar Pro loyalists, and to say thank you to GP for having us on the blog again, here you can download the full tab of the first solo absolutely free.
Let’s break this track down, starting with lick 1 & 2
During the first two licks, we set the scene by putting ourselves in the key of E blues. Blues keys incorporateelements of major and minor, and the first lick is a great example of that. We kick off in the E minor pentatonic shape 2, and then work back to shape 1, also including the major 3rd from the E major chord. If you would like to know more about ‘blues keys‘ then check out our Genre Study course on blues! When we move up to lick 2 then we move into pentatonic shape 5.
Lick 3 & 4
E Minor Blues Box 1 with b2nd
Stevie Ray Vaughan is the master of taking one position of a scale shape and getting the absolute most out of it. For these two licks, we take the E minor pentatonic shape 1 (plus blues note), as well as the E major pentatonic shape 2. The combination of these two gives us our E blues key and allows Stevie Ray Vaughan to create some impressive sounds! The scale shapes can be found in the fretboard diagrams.
Lick 5 and open positions…
E Major Pentatonic Box 2
E Minor Blues Box 1 E Major Pentatonic Box 2
E minor pentatonic box 5
Lick 5 is the typical Stevie Ray Vaughan lick that you will have heard on so many of his solos! It is again using the scales defined in the last lesson, but adding in this extra ‘out’ note – the 13th fret of the high E string. They are called ‘out notes‘ because they are outside the normal scale and typically only used for a fraction of a second before coming back into the scale and therefore resolving the sound. The out note can be found in the fretboard diagram.
E Minor Blues Box 1 with b2nd
When playing in E (or E flat, as Stevie Ray Vaughan’s guitar was typically tuned down half a step), we can take advantage of the open strings underneath pentatonic shape 1. Once again these last two licks use shape 1 and 2, just as theopening lick did, and crucially you need to hit the turnaround at the right time. In a Texas blues like this, the turnaround is usually a lick followed by a chromatic run towards the 5 chords. In this case, we havethe chromatic run from the open A string to the 2nd fret, highlighting the B!
So there you have it!
There is a lot going on this 40 second solo, and we’ve highlighted a lot of the theory for you in this blog post. It’s a tough solo to get up to speed as well, so do take your time with it and give yourself the grace to be a bit sloppy and slow as you first work through it, then gradually, over months potentially, tighten it up and get the speed up bit by bit. Good luck!
For intermediate guitarists, musical freedom means exploring new territories and pushing yourself out of that comfort zone.
It’s so common to get stuck in a rut.
All of us have experienced it at some point.
One way to break out of the box is by moving it around.
That’s exactly what we’ll do today.
Pickup music founder Sam Blakelock is here to show you the best way to open up the fretboard.
If you’d like to see or hear how to play any of the exercises in this article, check out the video companion.
Why should I learn this?
Moveable shapes give you the freedom to change keys and open up your fretboard.
You’ll hit soloing roadblocks unless you get to grips with this fundamental idea.
Master this basic scale, and you can easily build upon it by adding a few notes – other scales and modes fit around this shape.
E minor pentatonic
You should already be somewhat familiar with the E minor pentatonic scale in its open position.
To make this into a moveable scale, all we need to do is learn the root notes.
You can see the root notes (1) highlighted in the diagram below.
These are our main visual markers for outlining the scale shape.
But, what if we don’t want to play in Em?
Root notes are anchor points
Once you can visualize those root notes within the scale, you’re ready to shift its position up the neck. Moving from the open E position to the A position is simple – just slide everything up to the 5th fret.
One big difference is that you now need to fret all those notes that were open strings in E. You can think of your index finger as a moveable nut – like we do with bar chords.
If you know your E minor shape bar chord, strum it.
You’ll see how it fits perfectly inside the minor pentatonic pattern.
It’s important to dial in your muscle memory when learning these patterns too. Choose specific fingers for each note within the pattern – then you just need to move that root note on the low E string, and your fingers will automatically do the rest.
Here’s the best way to play this pentatonic pattern:
On the A, D, and G strings, use your index and ring fingers.
On the E and B strings, use your index and pinky fingers.
Certain situations may call for you to use different fingerings, but for now, stick to these.
Your pinky finger might feel a little weak if you’re not used to using it, but we’ve got some tips to help with that.
4 tips for scale success
We’ll get into the exercises in just a moment. Before we do, here are a few technique tips to make life easier.
#1 – Finger placement
Precision in where you place your fingers on the frets can significantly affect the sound quality.
Aim for the upper third of the fret (close to the metal fretwire).
This will give you a cleaner note with less pressure.
#2 – Keeping fingers close
Minimize the movement of your fingers away from the fretboard to increase efficiency and speed. This is especially true for the pinky finger, which tends to fly away whenever you’re not looking.
#3 – Light touch
Avoid pressing too hard on the strings.
Gentle pressure is often enough to produce a clear tone.
You want to find the perfect balance.
Less strain means happy hands!
#4 – Slow and Steady
Practice slowly to ensure accuracy and build speed gradually.
Mastery comes with patience and consistent practice.
It’s only when you’re first learning something that you need to pay such close attention – soon it will be second nature.
Exercise 1. A minor pentatonic in position
You’ve got to start off simple. A strong foundation means everything you build on top will be rock-steady.
All we’ll do is work our way up and down the A minor pentatonic scale – don’t rush, we want to make it perfect.
Set your metronome to a tempo that feels slightly too slow – we’re focusing on accuracy, not speed.
Remember those tips – good finger placement, with even pressure for every note.
To begin with, use all downstrokes when ascending and descending the scale.
When you feel more confident you can switch to alternate picking and increase the tempo slightly.
Once you’re happy with that, we can move on to something a little more musical.
Lick – Level 1
Let’s put this new scale position to good use. Here’s a simple lick within the A minor pentatonic shape you just learned.
Start on the 5th fret of the G string.
Use an upstroke for the first note and then continue with alternate picking.
Downstrokes on the downbeats – upstrokes on the upbeats.
In this lick we’re mainly focused on the picking hand. An important part of being an intermediate-level guitarist is analyzing the little details of how you play something.
If we attempt a lick like this with all downstrokes it’ll feel awkward and put strain on the picking hand, so we find a more efficient way to play it – alternate picking.
Lick – Level 2
Self-expression is all about how you deliver something. Just like our tone of voice when we speak, the way we phrase a lick is just as important as the notes themselves.
The notes are the same as the previous lick, but we’re breathing new life into it with some added techniques.
Add a hammer on from the 5th to 7th fret.
Give the last note some style with a little vibrato.
Be intentional with your vibrato, it’s more than just wiggling the string.
Read this in-depth guide to bends and vibrato if you want to learn more.
Lick – Level 3
Let’s play a little solo using different variations of the lick. A great way to craft a singable solo is by using short repeating phrases and adding small changes each time. This gives the listener a sense of melody and a memorable hook. The ‘call and response’ approach is a classic for guitarists – so let’s try it out.
It looks like a lot on the TAB, but when we break it down, you’ll see how straightforward it is.
Phrase 1 is just ‘Lick – Level 2’. Remember to alternate pick each note.
Phrase 2 is exactly the same, except we leave off the last note. Simple but effective.
Phrase 3 – Repeat Phrase 1
Phrase 4 is the big finale – we go up to the 9th fret.
The 9th fret isn’t in our shape! What’s going on?
Scale shapes are guides, not boundaries. Moving to the 9th fret allows us to slide into the note, which adds another layer of style to the phrase. You could just play the 5th fret on the B string (it’s the same note), but it doesn’t sound as cool as the slide in.
Moving on up
It’s amazing how musical one shape and a few simple lines can be.
When you understand the power of simplicity you’ll grow as a guitarist.
Some of the most iconic guitar solos are rooted in what we learned today.
Be mindful and musical with each note you play and you’ll sound great.
This lesson was a snippet from Pickup Music’s Intermediate Learning Pathway. If you’re looking for a clear structure to keep your practice routine on track, check them out.
They’re currently offering a 14-day free trial which includes full access to all of their lessons and 1-on-1 personalized feedback.
This lesson is a game-changer for intermediate guitarists that want to increase their fretboard awareness. Pickup Music founder Sam Blakelock will show you how to break free from the common ruts by using moveable shapes. This allows for easy key changes and a whole new level of fretboard freedom.
Why this lesson?
Understanding how to move the minor pentatonic scale around the neck is crucial for avoiding soloing roadblocks. Plus, you’ll get some techniques to ensure clean, precise playing – and put that pinky finger to work!
You’ll Learn
The Power of Root Notes: Learn how to use root notes as visual markers to navigate the fretboard effortlessly.
Making the Scale Moveable: Discover how shifting the scale’s position can open up new musical possibilities.
Technique Tips for Success: From finger placement to maintaining a light touch, we’ve got you covered with essential tips that make playing more efficient and enjoyable.
Exercises and Licks: Start with basic exercises to solidify your foundation, then move on to musical licks that apply what you’ve learned in a creative context.
Whether you’re looking to explore new keys, improve your soloing skills, or just make your practice sessions more productive, this lesson has something for everyone. Dive deeper into your guitar journey with Pickup Music’s Intermediate Learning Pathway.
Sign up for a free 14-day trial today and get full access to all our lessons, complete with 1-on-1 personalized feedback to help you grow.
In this video recorded a few days after the 2024 NAMM Show at Tim Pierce’s home studio, you’ll discover the secrets of Tim’s amazing pedalboard, specially assembled for his performance at the 2024 Grammy Awards!
The complete run-through of Tim’s pedalboard starts around 10:30. Go check it out to discover his tips and tricks to get the best tones!
Here are a few of the pedals chosen by Tim:
Of course, Tim chose the signature pedal that he made with J. Rockett Audio Designs. It’s a really nice overdrive, and a poweramp.
The Boss Compressor CP-1X is a solid reference and is very easy to use, which is not often the case with compressors.
Tim bought the new amazing Canvas tuner made by Walrus Audio.
Take a look at Tim’s amazing home studio!
I hope you’ll enjoy the interview, and please leave a comment below if you have any questions!
In the abundant universe of film music, countless musical treasures have become cultural icons. Many compositions succeed in transporting us to parallel worlds and moments of pure emotion, building a bridge between the expression of visual art and music. For musicians and movie lovers, playing these themes on the guitar rekindles unforgettable cinema moments and allows for a personal reappropriation of works that have moved us.
From the unforgettable leitmotif of “La La Land” to the grand compositions of “Game of Thrones“, the guitar interpretation of these works invites us to explore the musical universe of geniuses such as Justin Hurwitz and Ramin Djawadi. These artists have shaped unforgettable themes that elevate the cinematic experience, turning music into key actors in the story.
With these 10 excerpts, we offer you a journey through emblematic pieces of cinema, accompanied by tabs and Guitar Pro files, allowing guitarists of all levels to learn these pieces. Whether you are a musician, a cinephile, or in search of inspiration, these works invite you to discover the guitar. This instrument can reveal themes that transcend their initial role of simple accompaniment to become iconic. These melodies become as important as the protagonists themselves.
These legendary pieces, along with thousands of others, are available in the integrated music score library of Guitar Pro, under the mySongBook tab, in the “Original Soundtrack” genre.
Subscribe to mySongBook to access thousands of quality scores.
City Of Stars (La La Land) – Justin Hurwitz
In “La La Land,” “City of Stars” captures the essence of the pursuit of dreams in Hollywood, with its highs and lows, hopes, and disillusionments. The song, performed by Ryan Gosling and Emma Stone, serves as an emotional thread between the characters. Its bittersweet melody and contemplative lyrics perfectly reflect the central theme of the film: the conflict between love and artistic ambition.
“City of Stars” is a real gem for guitarists looking to refine their phrasing, touch, and ability to move the listener. This piece, played at a tempo of 100 bpm in standard tuning, stands out for its fluid melodic lines and soothing rhythm, offering a romantic and nostalgic atmosphere.
Tip: Avoid muffling to maintain a continuous resonance. Hammer-ons should be respected at the beginning of each bar for a smooth transition between notes. The fingers should be placed in a specific way: the middle finger on the G string, the index finger on the A string and the ring finger on B flat. Opt for a half bar in the last two bars to ensure constant tension on all the strings played.
Subscribe to mySongBook to access the full score. Preview the score here.
He’s A Pirate (Pirates of the Carribean) – Klaus Badelt
“He’s a Pirate” has become synonymous with the adventure and excitement that characterize the “Pirates of the Caribbean” saga. This energetic and driving theme perfectly embodies the rebellious and adventurous spirit of Captain Jack Sparrow. The music plays a crucial role in creating the thrilling atmosphere of the film, enhancing action scenes and sea chases with captivating intensity.
The piece “He’s a Pirate” represents an excellent opportunity for any guitarist looking to take on a challenge, with its lively tempo and complex rhythm. To learn this piece, I advise you to start by mastering the alternate picking technique, essential for navigating through the 12/8 rhythm and triplets. Tuning in Drop D is another key to enriching the sound of this piece.
Tip: To tune your guitar in Drop D, simply lower the low E string (E) by a tone so that it sounds in D (D). This simple modification opens up a new spectrum of sounds and facilitates rapid chord changes.
This piece is also an excellent way to improve your fluidity and speed, thanks to its rapid passages and frequent chord changes. To master these elements, focus on developing rhythmic precision, especially with syncopated notes. Regular practice of these techniques will help you progress in your playing.
Subscribe to mySongBook to access the full score. Preview the score here.
Game Of Thrones – Ramin Djawadi
The theme of “Game of Thrones” is immediately recognizable and evokes the vast landscapes, complex plots, and epic battles that define the series. Ramin Djawadi‘s music plays a key role in building the universe of Westeros, creating an atmosphere that is both majestic and menacing, accompanying viewers through the seasons.
Learning to play the “Game of Thrones” theme on your guitar immerses you in the epic universe of the series, with some prior adjustments to your instrument. First, tune your guitar in Drop D (D-A-D-G-B-E) and place a capo on the third fret to match the original key of the piece.
Tip: The essence of this theme lies in the fingerpicking technique. To get started, use your thumb for the bass notes and alternate the other fingers for the treble notes. This method will allow you to play the complex and captivating harmonies that characterize this piece.
The key to mastering this theme is the consistency of the rhythm and melodic precision. I advise you to practice slowly at first, to ensure that each note is played clearly and at the correct tempo. Remember to follow the rhythmic values indicated in the tablature, carefully alternating between bass and treble notes.
Subscribe to mySongBook to access the full score. Preview the score here.
Una Mattina (Intouchables) – Ludovico Einaudi
“Una Mattina” by Ludovico Einaudi and taken from the soundtrack of “The Intouchables” is a collection of pure emotion translated into music. Played on the piano and then arranged for guitar, this piece is the very expression of pivotal moments, where a deep bond is created between the two main characters.
To play “Una Mattina” on guitar, start by placing a capo on the fifth fret, which allows the music to be transposed into a different key without having to retune the guitar or change the position of the fingers for the chords. Although the notes are written in sixteenth notes, suggesting speed, the tempo of the piece remains slow and measured. The piece is characterised by a slow, expressive style of playing, with arpeggios playing a key role in creating a lyrical effect.
Tip: Practice smooth transitions between bass and treble notes to weave the melody and accompaniment. Emotional expression is essential to capture the essence of “Una Mattina.”
For the arpeggios, make sure to hold the notes long enough for a lyrical effect, and work on the precision and fluidity of your fingers. The key is to combine technique and emotion to make your performance authentic and touching.
Subscribe to mySongBook to access the full score. Preview the score here.
Le Festin (Ratatouille) – Michael Giacchino
“Le Festin” sung by Camille for the animated film “Ratatouille” is a joyful celebration of life, love, and French cuisine. The song reflects the spirit of the film and its message about pursuing passion and excellence in the culinary arts. The music adds a charming and inspiring dimension to Rémy’s journey, the rat who dreams of becoming a chef.
“Le Festin” composed by Michael Giacchino, is a captivating piece in A major for guitar with a 3/4 rhythm, evoking the elegant pace of a waltz a 160 bpm. Accessible to guitarists of all levels, it invites the exploration of lively rhythms and varied strumming techniques to animate the music with dynamism.
Tip: . Start by practicing the 3/4 rhythm at a slow tempo, to familiarize yourself with the structure of the waltz. Gradually increase the speed once you are comfortable with the strumming and chord changes.
To access the “Speed Trainer” in Guitar Pro, click on this icon :
Subscribe to mySongBook to access the full score. Preview the score here.
Concerning Hobbits (Lord Of The Rings) – Howard Shore
“Concerning Hobbits” is an iconic piece from the soundtrack of “The Lord of the Rings” composed by Howard Shore. It perfectly illustrates the peaceful and carefree life of the Hobbits of the Shire, with its light and joyful melodies that evoke the green landscapes and simplicity of their daily lives.
To play “Concerning Hobbits” in Drop D, tune your guitar to give more depth. This piece, evoking the serenity of the Shire, is ideal for those wanting to express the subtle nuances of their playing. I advise you to focus on legato techniques, such as hammer-ons and pull-offs, to ensure a smooth sound. It is also important to adjust the dynamics to convey the desired emotions.
Tip: To play a slide on the guitar, firmly press the string at the starting fret, then slide your finger to the destination fret without releasing the pressure.
Subscribe to mySongBook to access the full score. Preview the score here.
One Summer’s Day (Spirited Away) – Joe Hisaishi
The main theme of the film “Spirited Away” composed by Joe Hisaishi, is a captivating melody that transports the listener into the mystical and emotional world of the film. This music accompanies Chihiro on her journey of personal growth and adventure, reflecting the themes of innocence, loss, and hope.
“One Summer’s Day” by Joe Hisaishi, from “Spirited Away” is perfect for practicing moderate tempo fingerstyle, requiring delicate execution so that each note rings clearly. This technique involves playing the strings directly with the fingers, without a pick, allowing for unique expressiveness and finesse in the execution.
Tip: Fingerstyle is a guitar technique that uses the fingers to pluck the strings, allowing for a variety of musical expressions, from complexarpeggios to simultaneous melody and accompaniment. This method enriches expression and polyphony, suited to solo performances.
Subscribe to mySongBook to access the full score. Preview the score here.
Merry Christmas Mr. Lawrence (Furyo) – Ryuichi Sakamoto
“Merry Christmas Mr. Lawrence” composed by Ryuichi Sakamoto for the eponymous film, is a memorable work that evokes the complexities of human relationships in the context of a prisoner-of-war camp during World War II. The music, with its unique blend of Western and Eastern elements, expresses both conflict and mutual understanding, playing an essential role in the emotional tone of the film.
To master “Merry Christmas Mr. Lawrence” on the guitar with the specified tuning (E,B,G,D,G,E) and a capo on the first fret, I advise you to start by familiarizing yourself with quartal harmonization, which is a distinctive element of the piece. The harmonized melody in this way evokes the rich texture of Sakamoto’s original piano.
Quartal harmonization is a technique where the notes of a melody are spaced by the interval of four notes from the scale, offering an open and modern musical texture, often used in jazz. On the guitar, this involves playing notes simultaneously with this interval on different strings.
Tip: On strings that are not adjacent, pay attention to string skipping to maintain the fluidity of the melody. For passages requiring particular resonance, work on your touch so that the notes have a natural sustain without muting adjacent strings.
Subscribe to mySongBook to access the full score. Preview the score here.
Le Professionnel – Ennio Morricone
In “Le Professionnel” where Jean-Paul Belmondo shines, Ennio Morricone’s soundtrack amplifies key scenes. Morricone’s mastery in weaving musical themes that embrace adventure and emotional complexity is evident. His iconic theme, “Chi Mai” perfectly captures its atmosphere and plot.
Adapted for guitar, this piece on a 6/8 rhythm acts as the backbone of the work. This rhythmic signature, evoking a three-beat dance, demands a smooth execution and a characteristic swing. Arpeggios, key elements, must be played organically. It is crucial to modulate the dynamics and care for the articulation of each note to fully embrace the richness and aesthetics of the piece while ensuring flawless technical execution.
Tip: Practice must focus on resonance and precision of fingerings, essential for capturing the essence of the composition. Practice passages slowly to get used to position changes, and work on the dexterity of your fingers to improve the fluidity of your playing.
Subscribe to mySongBook to access the full score. Preview the score here.
Yumeji’s Theme (In the Mood for Love) – Shigeru Umebayashi
“Yumeji’s Theme” composed by Shigeru Umebayashi for “In the Mood for Love” is an iconic piece that captures the essence of unrequited love and nostalgia that permeates the film. Its repetitive and haunting melody underscores the visual beauty and emotional intensity of the encounters between the main characters.
Tip: To learn this piece effectively on the guitar, divide your practice into specific sections. Start by mastering the first bar, focusing on precision and sound quality. Continue by practising bars 2 to 4, then 4 to 6, paying attention to the fluidity of the transitions and the expression of the ornaments, in particular theappoggiatura in bar 5 and the pull-off for a clear and precise connection.
In bars 6 to 9, pay particular attention to the connections between the notes. Bar 9, the most complex, requires slow practice to fully grasp the patterns and techniques of the first three beats.
Throughout the piece, make sure that the melody stands out more than the bass, adjusting dynamics and articulation so that the melody is clearly in focus.This concentrated, segmented approach will help you capture the essence of the piece.
Subscribe to mySongBook to access the full score. Preview the score here.
Music is crucial in cinema, amplifying the ambiance and emotions and leaving a lasting impression, sometimes more so than the films themselves. Composers like Ennio Morricone, John Williams, and Hans Zimmer have left an indelible mark on the history of music and cinema.
The guitar also plays a remarkable role, enriching films with a range of emotions, from melancholy to explosiveness. Works like “Pulp Fiction” and “Once Upon a Time in Mexico” demonstrate its profound impact.
With over 5000 scores available, MySongBook is an invaluable asset for starting to play or exploring film music, thus open to everyone. Whether you are a novice looking to master your first pieces, or an experienced musician discovering new artists, step into a world where music meets cinema for an even richer musical experience.
Hi guys, I’m Thomas Duflos from the Guitar Pro team. I’m very happy to share my experience at the 2024 NAMM Show with you.
Actors of the music industry are saying that the NAMM Show is not what it used to be before COVID. Several big brands like Fender or Gibson still shun the show, but it looks like the show is back on track judging by the great influence over the 4 days.
Guitar Pro did not have a booth this year. I went to the NAMM alone this time, my goal was to meet the people I work with remotely all year round.
For me, the first attraction of NAMM is indeed meeting people in person of course, and discussing new partnerships, sharing and getting new ideas, and checking out new gear. I also loved meeting the creators who built the gear we use. Finally, I enjoyed many amazing concerts.
It is always extremely fun to meet Guitar Pro fans, and I met many this year, from the guitar teacher using Guitar Pro with his students, to the famous artists or influencers editing scores in Guitar Pro every day.
I also had the chance to visit two amazing pedal factories thanks to my friend from the distribution company called Face! I also have to thank the Crazy Tube Circuits team for their help and welcome at their booth.
Finally, I met legendary guitarist producer Tim Pierce at his home in Los Angeles. Go watch his presentation of the pedalboard he made especially for his performance at the Grammy Awards! I know, crazy, right? I was happy and lucky to team up with the Guitar Tabs Daily team who helped me create this content. Thank you Parker!
Welcome to my third NAMM Show!
Many artists made the show
Many artists came to the NAMM this year. I enjoyed Giacomo Turra‘s performances. Check out one of his impressive demos, enjoy!
I had the chance to listen to Prodigy Matteo Mancuso at the last Guitar Summit in Germany. His incredible style is inimitable. His right-hand playing is truly out of this world! Check out one of his concerts here on the Guitar Pro Instagram page.
I also met Vincen García this year, he is one of the greatest bass players I had the chance to see perform, see for yourself on our Instagram page here.
I discovered Adrian Bellue‘s powerful percussive technique which really impressed me. Adrian is endorsed by Furch, a brand that makes amazing acoustic guitars. Go read our review of the Furch Blue Deluxe Gc-CM acoustic guitar.
Stevie Wonder is a regular at NAMM. He was present once again this year with his friends!
Tim Pierce’s Grammy Awards pedalboard
I was lucky to be invited to Tim’s home to see the pedalboard he had specially prepared for the 2024 Grammy Awards ceremony in Los Angeles.
In this exclusive video recorded a few days after the NAMM Show, discover Tim’s tips and tricks on how he builds his sound and his amazing pedalboard. Take a look!
We invite you to discover Tim’s YouTube channel called Tim Pierce Guitar.
J. Rockett factory tour
Picture: Jay Rockett holding the legendary Archer pedal.
J. Rockett Audio Designs is world-famous for the Archer, a mythical pedal that has sold millions of units.
The J.Rockett factory is amazing, filled with impressive machinery that automatically assembles parts of the circuits very quickly. The computers that run these machines keep things precise and accurate. Even if the ears are the most important tool to check if the pedals sound great or not. It takes only 45 minutes to assemble one pedal from beginning to end!
The J. Rockett adventure simply started because Jay Rockett wanted to build pedals he could not find anywhere at the time. That’s the main reason he started building pedals, and then he started a business after that.
Jay Rockett told me that his favorite pedal from his brand is the HRM!
I thank the J.Rockett team for their warm welcome. Stay tuned for giveaways and collaborations!
The Beetronics Hive
Filipe Pampuri, the CEO of Beetronics, welcomed me in his studio/factory in Los Angeles. The place is just amazing. The atmosphere is relaxed and pleasant. The decor is just like the pedals: original, magnificent, and out of the ordinary.
Welcome to the hive!
NAMM Show sneak peek
As you can see, I had a great experience at the NAMM Show. It was an amazing learning experience for me and I met extraordinary people and Guitar Pro users from all around the world! It was fun listening to the greatest guitarists in the world talking about their use of Guitar Pro, and learning about their wishes for the next version!
New collaborations with brands and artists are coming! Stay tuned on our social media for our news and don’t miss our coming giveaways.
Since its inception, the history of the 7-string guitar has been marked by continuous development, peaking in the modern era, especially within the metal community. From the 1980s, this instrument saw a notable rise in popularity, attracting virtuosos seeking added expressiveness and sonic depth.
Well before the advent of modern metal, this instrument established its relevance across eras. Initially designed to enhance harmonies in Jazz and classical music, its capability to integrate bass lines directly into the guitarist’s play captivated a wide range of performers. This versatility elevated the 7-string guitar to a preferred choice among seasoned musicians and professionals across various musical genres, offering a refreshed perspective on guitar artistry.
Toward the late 1990s, a pivotal period began, seeing a growing interest in 7-string guitars within specific genres such as Nu-Metal, Progressive Metal, and Djent. This revival was fueled by the desire to expand the realm of musical possibilities and to push innovation further with an instrument that is both robust and versatile.
The adoption of the 7-string guitar by these metal icons, coupled with technical additions such as the expansion of tuning ranges, solidified its place in the music industry. Tuning options, ranging from B standard to Drop A, and even to Drop E, have opened doors for artists to deep and dark sonic explorations, thus defining the sonic identity of many metal bands and other musicians from the 1990s to the present day.
What are the origins and evolution of the 7-string guitar?
From the 15th to the 18th century, the guitar evolved from 4-5 to 6 strings, then adopted metal strings around 1800 for more volume. In the 19th century, Russia popularized the 7-string guitar, tuned differently and inspired by other instruments. This version gained popularity in Brazil for choro and samba, adopting nylon strings in the 1980s. Concurrently, in the 1930s, George Van Eps played a key role in the development of the 7-string electric guitar in jazz, in collaboration with Epiphone, marking its integration into Western music.
The Renaissance of the 7-String Guitar
In the musical context of the 80s and 90s, a specific trend emerged with the development of the electric guitar: the appearance and popularization of the 7-string guitar. At the forefront of this movement were avant-garde artists such as Steve Vai, who, in collaboration with the company Ibanez, designed the Ibanez Universe, the very first mass-produced 7-string electric guitar. More than a mere redefinition of the electric guitar sound, this innovation broadened musical horizons across many genres.
Initially, bands of nu metal and alternative metal like Korn were among the first to grasp the potential of the seven-string guitar, using its ability to produce a heavier and deeper sound. This early adoption was a major turning point, expanding the instrument’s spectrum of use beyond traditional metal boundaries. Deftones took this experimentation even further, integrating the instrument into a unique blend of alternative metal, shoegaze, and nu-metal, thus showcasing the extraordinary versatile capabilities of the 7 and 8-string guitars in creating rich and complex sonic textures.
Jeff Loomis truly established new standards of technical performance on the seven-string guitar through his remarkable work with Nevermore and Arch Enemy, inspiring a whole new generation of guitarists. In this same vein of innovation, Dream Theater contributed to the adoption and popularization of the seven-string guitar in progressive metal.
Consequently, the band’s virtuoso guitarist, John Petrucci, used this instrument to push the boundaries of his compositions, incorporating complex solos and melodic riffs.
Their music, often noted for its thematic depth and technical complexity, was immeasurably enriched by the extended range and flexibility offered by seven-string guitars, thus establishing the band as a benchmark in the use of these instruments.
Photo by Darko Boehringer.
Djent bands such as Periphery and Monuments subsequently placed this instrument at the heart of their sound, leveraging its extended range to create heavy and technical riffs that became emblematic of the genre. Animals As Leaders, with Tosin Abasi at the helm, has since pushed things even further, exploring the limits of what 7 and 8-string guitars can achieve.
Their blend of rhythmic complexity, advanced tapping techniques, and jazz fusion influences has not only redefined the role of the guitar in progressive metal but has also encouraged many musicians from different styles to seek new creative pathways.
Adding to the 2020s landscape, metalcore artists such as Spiritbox, END, Crystal Lake, Make Them Suffer, Loathe, Volumes, and Bring Me The Horizon have also shown impressive diversity in the use of the 7-string guitar, each bringing a unique touch to their compositions.
But these 7 and 8-string guitars have gone well beyond metal, truly breaking genre barriers and finding followers in jazz, blues, up to the avant-garde. Musicians like Charlie Hunter or Ichika Nito have been able to adopt the 7-string guitar due to the unique ability of the instrument to blend bass lines and melodies.
This versatility has confirmed that 7 and 8-string guitars are more than just tools for extreme music but can be subtle and sophisticated instruments across a range of musical applications.
The pieces and tunings that define the sound of 7-string guitars
The 7-string guitar is central to the sound of Dream Theater, allowing John Petrucci to explore lower registers while retaining the ability to play complex solos and melodic riffs in higher registers. “The Mirror” leverages this range to deliver heavy and deep riffs that would be less accessible on a 6-string guitar, a major addition in terms of textures and dynamics of the piece.
This piece is available in full score in MySongBook.
Korn – Freak On The Leash
Tuning: (A,D,G,C,F,A,D)
Korn is one of the pioneers in the use of the 7-string guitar in nu-metal, and “Freak On The Leash” perfectly illustrates the appeal of this approach. The low tuning and the use of the 7th string allow for particularly heavy and dark riffs, characteristic of Korn‘s sound and counterbalance with lead in the highs.
This piece is available in full score in MySongBook.
Muse – Supremacy
Tuning: (A,E,A,D,G,B,E)
Although Muse does not traditionally use 7-string guitars, adding such a guitar to play “Supremacy” could enrich the guitar arrangements by offering the possibility to add bass lines or counterpoints in more orchestral sections, accompanying the heaviness of the sound density.
Slipknot – The Devil In I
Tuning: (A,E,A,D,G,B,E)
Slipknot frequently uses low tunings, and integrating a 7-string guitar for “The Devil In I” allows exploring even deeper and more menacing sonic textures, offering an extended sonic palette for aggressive riffs and breakdowns.
Meshuggah – Demiurge
Tuning: (F,Bb,Eb,Ab,Db,Gb,Bb,Eb)
Meshuggah is synonymous with the use of 8-string guitars, but playing “Demiurge” on a 7-string guitar remains relevant to get closer to their distinctive sound. The polyrhythms and complex rhythmic patterns give a sonic depth that is fundamental to the djent style, the signature sound of Meshuggah.
Babymetal – Karate
Tuning: (B,E,A,D,G,B,E)
With a B standard tuning, using a 7-string guitar for “Karate” by Babymetal exploits the seventh string to build riffs on the first five semitones of the B string, allowing for very heavy and dissonant sounds, creating a striking contrast between metal and the major and joyful tones of J-pop. This approach enhances the power of the metal sections while preserving the flexibility needed to perform catchy melodies.
George Van Eps – Prelude To A Kiss
Tuning: (A,E,D,G,B,E,A)
Though less common in jazz, using a 7-string guitar for “Prelude To A Kiss” offers a new approach between harmony and accompaniment, allowing for deeper basses and enriching arrangements with a wider range of notes. This brings a new depth to the interpretation of jazz standards.
What are the specificities of the 7-string?
The Aristides guitar represents a pinnacle of modern guitar engineering, combining cutting-edge materials with exquisite craftsmanship.
Electric guitars with 7 and 8 strings, with their robust design, feature a wider neck and an extended scale length to accommodate the additional strings and ensure optimal string tension similar to that of baritone guitars (generally between 27 and 25.5 inches). This configuration allows for clearer low notes, even with low tunings. Additionally, these guitars are often equipped with pickups specially designed to capture low frequencies.
A notable innovation in the design of some of these guitars is the adoption of the multiscale configuration (or fanned frets), where each string benefits from its own scale length. This results in several advantages, such as better low-end definition, more balanced string tension across the fretboard, and improved intonation.
These features make multiscale guitars particularly suited to modern techniques and demanding playing styles. While their appearance may seem strange at first, the ergonomics of the fanned frets naturally follow the angle of the fingers on the neck, providing a playing and tonal advantage.
The seventh string adds a renewed sonic dimension to the instrument, offering depth and power that significantly enrich guitar playing. With this additional string, guitarists also have a wide range of tunings to explore, from Drop A (AEADGBE) to Drop G (GDGCFAD), through open C (GCGCGCE), and many others. Each tuning offers a new spectrum of creativity and musical expression, especially thanks to the standard B tuning (BEADGbE).
This configuration, though similar to the standard tuning of a six-string guitar, introduces a seventh string tuned a fourth lower than the low E, thus offering a low B. This feature facilitates a logical transition for guitarists accustomed to the six-string guitar, while expanding the available sonic spectrum, allowing for standard E playing or explorations into lower registers. Whether for innovative musical compositions, dense riffs, or complex chords.
With this extension of the tonal range, guitarists can play richer and more complex chords, or simply add some low notes to a chord, thus enriching their compositions with unprecedented nuances and sonic textures.
The 7-string guitar enriches the musical landscape by offering an extended sonic palette, particularly valued in genres like metal, djent, and beyond. The addition of an extra low string allows musicians to explore lower registers without sacrificing the ability to play complex chords or detailed solos. Famous guitarists in progressive metal and djent genres have not only adapted this instrument to their specific needs but have also innovated in terms of playing techniques and sound. Its adoption across different musical styles testifies to its significant impact on broadening sonic horizons, offering musicians a valuable tool for their artistic expression.
My recommendations
To conclude this article on the 7-string guitar, I offer a selection of pieces performed with this instrument, reflecting my personal favorites. This selection demonstrates the rich sonic possibilities afforded by the 7-string guitar. We hope these pieces will bring you as much listening pleasure as they have brought to their selection, making your playlists as enjoyable as reading this article.
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The tuner you need
Why would you be excited by a guitar tuner?
First of all, a tuner is maybe the most important part of your pedalboard! It needs to be accurate and reliable. And this is the case with the Canvas.
Secondly, this tuner is filled with features that you usually don’t find in other tuners.
For instance, you can also choose several screen orientation options to fit on any pedalboard and choose 2 displays: strobe or needle tuning modes. You’ll also be able to adjust the brightness of the screen.
What’s also fun is that you can change the background image of the screen! You can do this by uploading your pictures using the USB input.
It’s also to customize the frequency of the notes from 20Hz to 20KHz and the reference pitch from 390Hz to 490Hz.
